Toward an Understanding of the Fundamental Healing and Therapeutic Qualities of Art
Main Article Content
Abstract
This paper addresses questions of how and why art is therapeutic. Core principles from the art therapy literature are cited as a way to clarify how art, which includes expressive engagement with processes, materials, and products, can be a complete and primary therapy for people seeking to confront and relieve their
suffering. Special attention is devoted to Edith Kramer’s ideas on art as therapy and sublimation.
Article Details
Section
Special Article
References
1. Allen PB. Artist in residence: An alternative to çclinificationé for art therapists. Art Therap J Am Art Therap Assoc 1992; 9: 22-9.
2. Kramer E. Childhood and art therapy. New York: Schocken Books;1979.
3. Csikszentmihalyi M. Finding flow: the psychology of engagement with everyday life. New York: Basic Books; 1997.
4. Cooper A. The man who found flow. Shambhala Sun; 1998. p. 25-63.
5. Winner E. The artist. Invented worlds: The psychology of the arts. Cambridge, Ma : Harvard University Press; 1982.
6. Arnheim R. Art as therapy. The Arts in Psychotherapy 1981;7:247-51.
7. Langer S. Problems of art. New York: Charles Scribnerûs Sons; 1957.
8. Rubin JA. The art of art therapy. New York: Brunner/Mazel; 1984.
9. Franklin M. Art therapy and self esteem. Art Therap J Am Art Therap Assoc 1991;9(2):78-84.
10. Rubin JA. Approaches to art therapy. New York: Brunner-Routledge;2001.
11. Rhyne J. The Gestalt art experience. Monterey California: Brooks/Cole Pubishing; 1973.
12. Rothenberg A, Hausman C R. The creativity question. Durham, NC: Duke University Press; 1976.
13. Cane F. The artist in each of us. New York: Pantheon Books; 1951.
14. Landgarten H. Clinical art therapy: a comprehensive guide. New York: Brunner/Mazel; 1981.
15. Franklin M. Art practice/psychotherapy practice/meditation practice: sitting on the doveûs tail. Guidance and Counseling 1999;15(3):18-23.
16. Winnicott DW. Playing and reality. New York: Basic Books; 1971.
17. Robbins A. A multi-modal approach creative art therapy. London: Jessica Kingsley; 1994.
18. Langer S. Philosophy in new key: a study in the symbolism of reason, rite, and art. New York: New American Library; 1957.
19. Naumburg M. Dynamically oriented art therapy: Its principals and practice. Chicago: Magnolia Street Publishers; 1987.
20. Dissanayake E. Art for lifesû sake. Art Therap J Am Art Therap Assoc1992;9:169-77.
21. Kramer E. Art as therapy with children. New York:Schocken Books;1971.
22. McNiff S. Art as medicine. Boston: Shambhala; 1992.
23. Rhyne J. (1998). Special feature: Jane Rhyneûs dissertation drawings as personal constructs: A study in visual dynamics. Am J Art Therap 1998;36:115-24.
24. Arnheim R. Towards a psychology of art: collected essays. Berkley and Los Angeles: University of California Press; 1966. p. 51-73.
25. Kris E. Psychoanalytic explorations in art. New York: International Universities Press; 1952.
26. Knafo D. Revisiting Ernst Krisûs concept of regression in the service of the ego in art. Psychoanalytic Psychology 2002;19:24-9.
27. Kramer E. Sublimation and art therapy. In: Rubin JA, editor. Approaches to art therapy: theory and technique, 2nd Ed. New York: Brunner-Routledge; 2001. p .28-39.
28. ibid The art therapistûs third hand: Reflections on art, art therapy, and society at large. Am J Art Therap 1986;24:71-86.
29. ibid. (2000d). The art therapistûs third hand: Reflections on art, art therapy, and society at large. In: Gerity LA, editor. Art as therapy: Collected papers. Philadelphia, PA: Jessica Kingsley; 2000d. p. 47-70.
30. ibid. The unity of process and product. In: Gerity LA, editor. Art as therapy: Collected papers. Philadelphia, PA: Jessica Kingsley; 2000b. p. 36-8.
31. ibid. Credo, as an artist, and as art therapist. In: Gerity LA, editor. Art as therapy: Collected papers . Philadelphia, PA: Jessica Kingsley;2000a. p.15-9.
32. ibid. Art therapy and sublimation. In: Gerity LA, editor. Art as therapy: Collected papers . Philadelphia, PA: Jessica Kingsley; 2000c. p. 39-46.
33. ibid. The importance of lines: Kerstin Kupfermann, with a discussion by Edith Kramer. In: Gerity LA, editor, Art as therapy: Collected papers.Philadelphia, PA: Jessica Kingsley; 2000e. p.146-65.
2. Kramer E. Childhood and art therapy. New York: Schocken Books;1979.
3. Csikszentmihalyi M. Finding flow: the psychology of engagement with everyday life. New York: Basic Books; 1997.
4. Cooper A. The man who found flow. Shambhala Sun; 1998. p. 25-63.
5. Winner E. The artist. Invented worlds: The psychology of the arts. Cambridge, Ma : Harvard University Press; 1982.
6. Arnheim R. Art as therapy. The Arts in Psychotherapy 1981;7:247-51.
7. Langer S. Problems of art. New York: Charles Scribnerûs Sons; 1957.
8. Rubin JA. The art of art therapy. New York: Brunner/Mazel; 1984.
9. Franklin M. Art therapy and self esteem. Art Therap J Am Art Therap Assoc 1991;9(2):78-84.
10. Rubin JA. Approaches to art therapy. New York: Brunner-Routledge;2001.
11. Rhyne J. The Gestalt art experience. Monterey California: Brooks/Cole Pubishing; 1973.
12. Rothenberg A, Hausman C R. The creativity question. Durham, NC: Duke University Press; 1976.
13. Cane F. The artist in each of us. New York: Pantheon Books; 1951.
14. Landgarten H. Clinical art therapy: a comprehensive guide. New York: Brunner/Mazel; 1981.
15. Franklin M. Art practice/psychotherapy practice/meditation practice: sitting on the doveûs tail. Guidance and Counseling 1999;15(3):18-23.
16. Winnicott DW. Playing and reality. New York: Basic Books; 1971.
17. Robbins A. A multi-modal approach creative art therapy. London: Jessica Kingsley; 1994.
18. Langer S. Philosophy in new key: a study in the symbolism of reason, rite, and art. New York: New American Library; 1957.
19. Naumburg M. Dynamically oriented art therapy: Its principals and practice. Chicago: Magnolia Street Publishers; 1987.
20. Dissanayake E. Art for lifesû sake. Art Therap J Am Art Therap Assoc1992;9:169-77.
21. Kramer E. Art as therapy with children. New York:Schocken Books;1971.
22. McNiff S. Art as medicine. Boston: Shambhala; 1992.
23. Rhyne J. (1998). Special feature: Jane Rhyneûs dissertation drawings as personal constructs: A study in visual dynamics. Am J Art Therap 1998;36:115-24.
24. Arnheim R. Towards a psychology of art: collected essays. Berkley and Los Angeles: University of California Press; 1966. p. 51-73.
25. Kris E. Psychoanalytic explorations in art. New York: International Universities Press; 1952.
26. Knafo D. Revisiting Ernst Krisûs concept of regression in the service of the ego in art. Psychoanalytic Psychology 2002;19:24-9.
27. Kramer E. Sublimation and art therapy. In: Rubin JA, editor. Approaches to art therapy: theory and technique, 2nd Ed. New York: Brunner-Routledge; 2001. p .28-39.
28. ibid The art therapistûs third hand: Reflections on art, art therapy, and society at large. Am J Art Therap 1986;24:71-86.
29. ibid. (2000d). The art therapistûs third hand: Reflections on art, art therapy, and society at large. In: Gerity LA, editor. Art as therapy: Collected papers. Philadelphia, PA: Jessica Kingsley; 2000d. p. 47-70.
30. ibid. The unity of process and product. In: Gerity LA, editor. Art as therapy: Collected papers. Philadelphia, PA: Jessica Kingsley; 2000b. p. 36-8.
31. ibid. Credo, as an artist, and as art therapist. In: Gerity LA, editor. Art as therapy: Collected papers . Philadelphia, PA: Jessica Kingsley;2000a. p.15-9.
32. ibid. Art therapy and sublimation. In: Gerity LA, editor. Art as therapy: Collected papers . Philadelphia, PA: Jessica Kingsley; 2000c. p. 39-46.
33. ibid. The importance of lines: Kerstin Kupfermann, with a discussion by Edith Kramer. In: Gerity LA, editor, Art as therapy: Collected papers.Philadelphia, PA: Jessica Kingsley; 2000e. p.146-65.